Wednesday September 01, 2010
from guardian.co.uk
As a former classical violinist, jazz bass-player and pop-savvy vocalist, Esperanza Spalding has a lot on her side. This unusual venture joins two trios representing different aspects of her past: a jazz one featuring Herbie Hancockish pianist Leo Genovese and drum star Terri Lyne Carrington, and a classical strings group. Wistful reveries spun by Spalding’s airy voice are balanced by bluesier tracks (the shrewd touch of producer Gil Goldstein is apparent). The ballad Apple Blossom finds Spalding duetting with Milton Nascimento, and some superb whispery scat shared by the leader and Gretchen Parlato make Winter Sun and Jobim’s Inútil Paisagem the standout tracks. The jazzy exchanges between Spalding, Genovese and Carrington on Short and Sweet suggest that a little more straight trio playing would have been welcome, but the way the strings scythe in under Spalding’s rising voice on Knowledge of Good and Evil, or canter in unison with her on Genovese’s Latin swinger Chacarera, reinforce this album’s sense of relaxed, cross-idiom balance.
To read the review on The Guardian website and read other Guardian reviews of IMN artists click here
| *Radio Music Society Trailer | |
| Esperanza Spalding at the Oscars | |
| Black Gold | |
| Esperanza Spalding at the Nobel Prize Ceremony |
from unesco.org About the Day What: In November 2011, during the UNESCO General Conference, the international community proclaimed 30 April as “International Jazz Day”....
Posted Apr 30th, 2012
From The Birmingham Times Review: Oscar Castro-Neves, Live at the Blue Note Tokyo By: Esther Callens There are very few live recordings that deliver...
Posted Apr 26th, 2012
from hudsonvalleyalmanacweekly.com Jazz gestator: The Falcon and the Inexplicable Local Miracle By: John Burdick There’s a joke out there among musicians: Folk/rockers play three...
Posted Mar 8th, 2012